I wake up in your bed. I know I have been dreaming.
Much earlier, the alarm broke us from each other,
you’ve been at your desk for hours. I know what I dreamed:
our friend the poet comes into my room
where I’ve been writing for days,
drafts, carbons, poems are scattered everywhere,
and I want to show her one poem
which is the poem of my life. But I hesitate,
and wake. You’ve kissed my hair
to wake me. I dreamed you were a poem,
I say, a poem I wanted to show someone…
and I laugh and fall dreaming again
of the desire to show you to everyone I love,
to move openly together
in the pull of gravity, which is not simple,
which carries the feathered grass a long way down the upbreathing air.
- Adrienne Rich
"To me you’re the sea
and I have fallen in love
with salt on my skin."
- Shel Silverstein
this is cute as all hell
T.S. Eliot - The Love Song of J. Alfred Prufrock (fragments)
heart eyes for this poem always and forever <3
‘prose poem towards a definition of poetry’.
“When in public poetry should take off its clothes and wave to the nearest person in sight; it should be seen in the company of thieves and lovers rather than that of journalists and publishers. On sighting mathematicians it should unhook the algebra from their minds and replace it with poetry; on sighting poets it should unhook poetry from their minds and replace it with algebra; it should fall in love with children and woo them with fairy tales; it should wait on the landing for two years for its mates to come home then go outside and find them all dead.
When the electricity fails it should wear dark glasses and pretend to be blind. It should guide all those who are safe into the middle of busy roads and leave them there. It should shout EVIL! EVIL! from the roof of all stock exchanges. It should not pretend to be a clerk or librarian. It is the eventual sameness of all contradictions. It should never weep until it is alone and only then after it has covered all the mirrors and sealed all the cracks.
Poetry should seek out couples and wander with them into stables, neglected bedrooms and engineless cars for a final Good Time. It should enter burning factories too late to save anyone. It should pay no attention to its real name.
Poetry should be seen lying by the side of road accidents, be heard hissing from unlit gas rings. It should write the teacher’s secret on a blackboard, offer her a worm saying, Inside this is a tiny apple.
Poetry should play hopscotch in the 6 p.m. streets and look for jinks in other people’s dustbins. At dawn it should leave the bedroom and catch the first bus home. It should be seen standing on the ledge of a skyscraper, on a bridge with a brick tied around its heart. It is the monster hiding in a child’s dark room, it is the scar on a beautiful man’s face. It is the last blade of grass being picked from the city park.”
watching return of the king again
and i always forget how much i love this poem.
‘All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.’
"And did you get what you wanted from this life, even so?
And what did you want?
To call myself beloved, to feel myself beloved on the earth."
Raymond Carver’s tombstone inscription (via bohemia-is-without-a-sea)
yeah, this is perfect.
For My Daughter, by Sarah McMane
“Never grow a wishbone, daughter, where your backbone ought to be.” –Clementine Paddleford
Never play the princess when you can
be the queen:
rule the kingdom, swing a scepter,
wear a crown of gold.
Don’t dance in glass slippers,
crystal carving up your toes—
be a barefoot Amazon instead,
for those shoes will surely shatter on your feet.
Never wear only pink
when you can strut in crimson red,
sweat in heather grey, and
shimmer in sky blue,
claim the golden sun upon your hair.
Colors are for everyone,
boys and girls, men and women—
be a verdant garden, the landscape of Versailles,
not a pale primrose blindly pushed aside.
Chase green dragons and one-eyed zombies,
fierce and fiery toothy monsters,
not merely lazy butterflies,
sweet and slow on summer days.
For you can tame the most brutish beasts
with your wily wits and charm,
and lizard scales feel just as smooth
as gossamer insect wings.
Tramp muddy through the house in
a purple tutu and cowboy boots.
Have a tea party in your overalls.
Build a fort of birch branches,
a zoo of Legos, a rocketship of
Queen Anne chairs and coverlets,
first stop on the moon.
Dream of dinosaurs and baby dolls,
bold brontosaurus and bookish Belle,
not Barbie on the runway or
Disney damsels in distress—
you are much too strong to play
the simpering waif.
Don a baseball cap, dance with Daddy,
paint your toenails, climb a cottonwood.
Learn to speak with both your mind and heart.
For the ground beneath will hold you, dear—
know that you are free.
And never grow a wishbone, daughter,
where your backbone ought to be.
RIP Adrienne Rich
By Adrienne Rich
You’re wondering if I’m lonely:
OK then, yes, I’m lonely
as a plane rides lonely and level
on its radio beam, aiming
across the Rockies
for the blue-strung aisles
of an airfield on the ocean.
You want to ask, am I lonely?
Well, of course, lonely
as a woman driving across country
day after day, leaving behind
mile after mile
little towns she might have stopped
and lived and died in, lonely
If I’m lonely
it must be the loneliness
of waking first, of breathing
dawns’ first cold breath on the city
of being the one awake
in a house wrapped in sleep
If I’m lonely
it’s with the rowboat ice-fast on the shore
in the last red light of the year
that knows what it is, that knows it’s neither
ice nor mud nor winter light
but wood, with a gift for burning.
“From an Atlas of the Difficult World” (Adrienne Rich)
I know you are reading this poem
late, before leaving your office
of the one intense yellow lamp-spot and the darkening window
in the lassitude of a building faded to quiet
long after rush-hour. I know you are reading this poem
standing up in a bookstore far from the ocean
on a grey day of early spring, faint flakes driven
across the plains’ enormous spaces around you.
I know you are reading this poem
in a room where too much has happened for you to bear
where the bedclothes lie in stagnant coils on the bed
and the open valise speaks of flight
but you cannot leave yet. I know you are reading this poem
as the underground train loses momentum and before running
up the stairs
toward a new kind of love
your life has never allowed.
I know you are reading this poem by the light
of the television screen where soundless images jerk and slide
while you wait for the newscast from the intifada.
I know you are reading this poem in a waiting-room
of eyes met and unmeeting, of identity with strangers.
I know you are reading this poem by fluorescent light
in the boredom and fatigue of the young who are counted out,
count themselves out, at too early an age. I know
you are reading this poem through your failing sight, the thick
lens enlarging these letters beyond all meaning yet you read on
because even the alphabet is precious.
I know you are reading this poem as you pace beside the stove
warming milk, a crying child on your shoulder, a book in your
because life is short and you too are thirsty.
I know you are reading this poem which is not in your language
guessing at some words while others keep you reading
and I want to know which words they are.
I know you are reading this poem listening for something, torn
between bitterness and hope
turning back once again to the task you cannot refuse.
I know you are reading this poem because there is nothing else
left to read
there where you have landed, stripped as you are.
RIP, awesome lady. the world just got a little less lovely.